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The calling of the Apostles; four fishing boats drawing up to shore, St. Peter stepping out of the nearest and bowing before Christ, who stands on the shore; after Pietro da Cortona
Jean-Baptiste-Claude Chatelain
ca. 1730–58
David slaying Goliath; David stands over the defeated Goliath with his sword raised above his head; another battle is taking place in the background on the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
John Girtin
1817
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
Pietro da Cortona (Pietro Berrettini)
ca. 1662
Laban Seeking His Idols: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Reduced copy in reverse of the Battle of Aeneas and Turnus; plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below, plate 6 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Madonna and Child with Saint Catherine
Charles Nicolas Cochin II
ca. 1750–76
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Abraham and Hagar in the foreground, with an angel behind her left shoulder and a young boy seated on the ground with a dog in the left background; on the right, Sarah watches from inside a shelter, with two male passersby at the far right
Carlo Faucci
1766
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Composition with stucco ornaments and a medallion with youths shooting a bird, plate 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with Barberinae aulae fornix
Charles Delahaye
ca. 1677
Fury as a blind woman with torches and chains emerging from the left, chasing a soldier, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Martyrdom of St. Stephen, after Pietro da Cortona
F. de Louvement
ca. 1668–90
Title Page, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Reduced copy in reverse of the assembly of the Gods at Olympus; Jupiter at center with Venus to the right, introducing Aeneas at far right; plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right, plate 7 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Pietro Aquila
1670–92
Cybele standing before Jupiter, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Mercury seen from behind flying in the air towards the left, holding the caduceus in his left hand; trees and architectural elements in the background; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1680–91
Saint Martina receiving the lily
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Musick
Robert Samuel Marcuard
1777
Presentation of a young king to a group of elders, after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Marcus Curius Dentatus rejecting the bribes of the Sumnites
Anthony Walker
1763
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
ca. 1759–70
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668